How to’s and manuals | Focht Creative

Rainy Day No Problem “How”

Posted by kevin focht on Feb 6, 2012 in How, How to's and manuals | 0 comments

Every get one of those shoots where it is pouring down rain outside. You don’t want to cancel because it will just add to your already busy schedule.

Do what I do, bump up the ISO and look for open shade!

Let’s break down this shot. I am in a building that has a loading dock on part of it with a covered area. Perfect place to shoot a portrait with open shade. Now obviously if it is raining, we are going to bump up the ISO. I shot this at 1000 ISO, and knowing that the largest it will be printed is probably a 16×20, I knew it wouldn’t be an issue.

By placing her against the window with the background, I was able to use what was there to make the shot more interesting. The walls inside the building are a sort of mustard color. The inside is also lit with light bulbs, so they are tungsten which makes it warm. Perfect, we need some warmth in this shot. It almost looks like I used a cool background projection on this, but this was just using what was available. Don’t make it harder, find some cool place with an overhang and use whatever you can with the background. I shot this with my 70-200 f2.8 at 2.8.

The hardest part of this whole thing was making sure I didn’t fall off the edge of the loading dock!

The next time it’s raining, look for nice covered areas with open shade. That way you don’t have to reschedule!

Kevin

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“How” Shards of light

Posted by kevin focht on Feb 3, 2012 in How | 1 comment

Creating something out of nothing with glowing beams of light.

Lighting with shards of light coming through an image is not as easy as it looks. This shot was from an editorial that we shot in the basement of my building. We had a whole circus set built, and then needed to light the set when there was no lighting at all. Once again, I used fresnel hot lights, as it was easier to see what I was doing.

The other reason I used hot lights, was because the art director wanted grain. It would have been really hard to get strobes at a low enough power to be able to get grain from high iso.

One of the things with showing shards of light, is that you need a fairly dark background and something in the air to reflect the light. In this case we used smoke in a can spray. I wanted to backlight the model, so I used a reflector (oh did I just say that) to fill on camera right.

One of the keys to using smoke machines or smoke in a can, is that you need to spray it and then let is settle a bit. If you don’t, then you can see how you sprayed it and it didn’t look real.

As for exposure, you can see that I exposed off the face again, and then let the highlights go. I think we did a pretty good job of making it look like daylight, even though we were in a really dark basement.

Kevin

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New to Focht Creative – ” How “

Posted by kevin focht on Feb 2, 2012 in How, How to's and manuals | 0 comments

We are starting a new series of posts on Focht Creative called “How” as in how in the world did they do that!

We will start with some basics and as we get going, we will be doing more complex.

Here is the way we will approach this.

First we will show the photo, and then we will explain how it was set up, the thought process and what special equipment might have been used.

The shot…

This is a shot I did for an editorial a few years ago. It was all about a semi-famous girl who was getting married, but actually had another woman who was in love with her. Funny concept I know, but you have to start somewhere with a story line.

The issue with a shoot like this, was that it was all inside and there were some really large areas that needed to be lit. Some of the shots needed to look like paparazzi shots, and others needed to be light really pretty.

This shot was done in an elevator that we held open. I love fairly harsh light in my work and always have. It just adds drama. I also love to use fresnel hot lights whenever I can. I just love the old hollywood feeling to them.
Here is what a fresnel hot light looks like.

So the basic lighting set up was pretty simple on this one. One fresnel head up high and slightly to camera left.

The main issue with a shot like this, is to just make sure the shadows fall in the right place. You also can use the focusing ability of the fresnel to control just how much contrast you have in the shot and how hard the shadows are. If you zoom out the shadows become more like a hazy sunny day, if you zoom the head in, it becomes more like direct sun.

This was more like hazy sun, and in the end it worked out nice. The beauty of using hot lights, is that you see what you get. There is no guessing.

Kevin